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A Critical Approach to Roma Design |
Tartalom: | https://crs.ceu.edu/index.php/crs/article/view/13 |
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Archívum: | Critical Romani Studies |
Gyűjtemény: | Arts and culture |
Cím: |
A Critical Approach to Roma Design
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Létrehozó: |
Szilágyi-Kispista, Ágota
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Kiadó: |
Romani Studies Program at Central European University
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Dátum: |
2018-04-13
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Tartalmi leírás: |
In his 2016 book Notes on the Ontology of Design, Arturo Escobar asks whether it is possible to talk about the existence of a “critical design theory”. He states that if by “critical” we mean the application of a series of critical theories and approaches in the fields of design, and a certain connection to cultural studies, then we can talk about the ongoing development of a “critical design theory”. Based on an analysis of a set of objects by the social enterprise Meșteshukar ButiQ (Bucharest, Romania), I analyze the role of design in the construction and representation of Romani identity. Generally, design is interpreted as a representation of the self, however it has a significant role in constructing it too. According to Penny Sparke, “design is seen as being part of the dynamic process through which culture is actually constructed, not merely reflected” (2013: 4). Through an analysis of the products created and sold by Meșteshukar ButiQ and its collaborators, I examine the role of design not just in expressing but also in creating meanings, and thereby, I emphasize the design process’ importance in identity politics.
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Nyelv: |
angol
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Típus: |
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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Formátum: |
application/pdf
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Azonosító: |
10.29098/crs.v1i1.13
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Forrás: |
Critical Romani Studies; Vol 1 No 1 (2018); 150-159
2630-855X
2560-3019
10.29098/crs.v1i1
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Kapcsolat: | |
Létrehozó: |
Copyright (c) 2018 Ágota Szilágyi-Kispista
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