Versjelhagyás, erdélyi utóreneszánsz (Barcsay, Sándorffy, Teleki Domokos)

Poetry as memento, post-renaissance in Transsylvania (Barcsay, Sándorffy, Teleki Domokos)

Egyed, Emese

Kovács Kiss Gyöngy

Egyed Emese

Ilyés Szilárd-Zoltán

Kerekes György

Kovács András

Szász Alpár Zoltán

Tánczos Vilmos

Veress Károly

Erdélyi Múzeum-Egyesület

2013-01-23T09:06:31Z

2013-01-23T09:06:31Z

2007

2007

felvilágosodás

költészet

szöveghagyomány

reneszánsz

szimbólum

II. Iskola, Alkotásmódok, Szövegtípusok

The (new) Hungarian speaking literature was born at the „sentimentalist crossover of centuries", among masses of versified name-day greetings, sumptuous wedding and funeral poetry and translations. The three authors presented in this paper are all initiates in the use of litterary symbols, they could very well be considered gate-keepers in Hungary and Transsylvania, in the period of enlightenment: Sándorffy József become familiar with poetry in pictures while studying in Vienna as a medical student, becoming later the main promoter of Hungarian theatre in Bihar. (But what would be then the so called phaenomenon of „sándorffyzmus"?) After 35 years of wandering in Europe, the „poeta elegans", Barcsay Ábra-hám lives the life of a retired soldier in the southern lands of Transsylvania, producing less and less poetry amidst non-Hungarian speaking people. And Domokos, a member of the extended Teleki family publishes his old and new poems, as well as versified greetings adressed to him as an autobiography in verses– as a present to himself. The compared analysis of poetic, symbol bearing systems also reveals important information on the poetry of the Enlightenment.

167-179 old.

magyar

angol

PDF

application/pdf

article

1453-0961

http://hdl.handle.net/10598/25833

Erdélyi Múzeum-Egyesület

Erdélyi Múzeum LXIX, 2007. 3-4. füzet

Erdélyi Múzeum-Egyesület