Képződő műalkotás

Self-generating Sense in Art

Jakab, András

Kovács Kiss Gyöngy

Egyed Emese

Ilyés Szilárd-Zoltán

Kerekes György

Kovács András

Szász Alpár Zoltán

Tánczos Vilmos

Veress Károly

Erdélyi Múzeum-Egyesület

2013-01-23T12:20:20Z

2013-01-23T12:20:20Z

2011

2011

zseni

műalkotás

fenomenológia

ösztön

sense

concept of genius

phenomenology

experience of the artist

goodwill of nature

instinct

perception

The ultimate purpose of the research is to elaborate the philosophical problem of the artist’s experience and his way of understanding. However it is first of all a historical summary of the concepts which have emerged encountering this question. First, Kant’s Critique of judgment and the concept of the genius, which by definition is a state derived from the goodwill of nature. Nietzsche’s idea of the work of a genius arises from the instinctive pulsation of his affluence. By giving the power of artistic creation in the hand of nature, these two authors demonstrate that the work of an artist cannot be understood only deducing it loosely from the „I”. Edmund Husserl’s notion of reduction sets the perception free from the notions which enslave it. Conclusively the paper presents some of Paul Cézanne’s concepts as counterpoint to the philosophical theories, and the need for a more loose theory of sense. Eventually I dwell on "The visible and the invisible" written by Maurice Merleau-Ponty, the French philosopher who argues for the self-generating sense, which creates the basis of the artistic creation.

37-50 old.

magyar

angol

article

PDF

application/pdf

1453-0961

http://hdl.handle.net/10598/26123

Erdélyi Múzeum-Egyesület

Erdélyi Múzeum LXXIII, 2011. 3-4. füzet

Erdélyi Múzeum-Egyesület